In November, five Fine Art students from ESADHaR worked with Level 2 Interior Architecture students for the initial stage of designing an exhibition space for the Despite Efficiency: Labour exhibition at the Herbert Read Gallery. Here are some images of the process:
from the UCA newsdesk….
Interior Architecture & Design students from the University for the Creative Arts (UCA) have developed an ambitious exhibition with multidisciplinary studio Aberrant Architecture that challenges the efficiency of workplaces.
Currently on display in UCA Canterbury’s Herbert Read Gallery, Despite Efficiency: Labour is a participative exhibition thatlooks at the practical consequences and critical value of inefficiency in the context of work. Upon arrival, visitors are invited to sit underneath a 1.5 metre suspended ceiling on a desk chair in an area flooded with artificial light.
“Inefficiency can be understood as an effort without reward; as the negative result of a system designed to be profitable,” explained Emma Braso, UCA’s Cultural Programme Curator. “The project creates a working space where these ideas can be played out in different formats and shapes, independent of their utility.”
Openings in the grid ceiling also allow visits to stand up and enjoy a series of different micro-environments, which are naturally lit. A number of narrative panels, each individually designed by participating students and able to be viewed through binoculars placed by each opening, explore the history of office design.
The gallery is hosting a number of live performances, videos and projects as part of the exhibition, all presented by a group of international artists and related to situations and models of unprofitable, futile or ineffective work.
This project was supported by Recreate and ICR, two initiatives selected under the European Cross-border Cooperation Programme Interreg IV A France (Channel) – England, co-funded by the European Regional Development Fund.
For more information about Despite Efficiency: Labour, please visithttp://www.ucreative.ac.uk/galleries/herbert-read.
ICR was selected under the European Cross-border Cooperation Programme INTERREG IVA France (Channel) – England, co-funded by the ERDF
from the UCA newsdesk…..
Budding photographers from the University for the Creative Arts (UCA) exhibited at three sites across Chatham as part of the annual Medway Photo Festival. Students from BA (Hons) Photography and MA Photography at UCA Rochester had the opportunity to showcase their work at the Festival, which is now in it’s 7th year.
The festival, which took place between January 14 – 18, gave students from BA (Hons) Photography and MA Photography at UCA Rochester the opportunity to showcase their latest works.
Now in its seventh year, the festival featured five shows – Enigma, Envision, Ipseity, Within the Shadow, and Work in Progress – spread across Chatham’s Pop Creative Space, Sun Pier House, and Nucleus Arts Gallery.
Pop Creative Space on Chatham High Street hosted Enigma and Within the Shadow, which looked at the subjects of social documentary, and existence respectively.
Amongst the exhibitors at Pop were Luna Limbu, who portraits ex-Gurka soldiers, and Hannah Vigors, whose work “The Horse” examines the anatomical movement of horses.
Sun Pier House on Medway Street, Chatham, exhibited the undergraduate show Ipseity and the postgraduate show MA: Work in Progress. Exploring the concept of identity, Ipseity featured the work of six photographers including Kate Morrison, whose series Our Normal looks at people who have modified their bodies with tattoos and piercings.
The final show, Envision, took place at the Nucleus Arts Gallery on Chatham High Street and looked at various mental states within society. Exhibitors included Catherine Stuart, whose work “The Lure of the Lighted Window” took a disorientating look at shopping addiction and consumption, and Charlotte Rose Edwards, whose series “My Mind is a Horror Story ” explored how mental illness is glamourised by the fashion industry and teen culture.
The Medway Photo Festival is supported by the Recreate project, which helps the development of the creative industries in specific regions of the UK and France. Recreate was selected under the European Cross-border Cooperation Programme INTERREG IV A France (Channel) – England, co-funded by the European Regional Development Fund.
UCA Rochester has a strong history of graduating talented photographers, with recent alumni Adam King’s latest work Chip off the Old Block currently featured on the influence Photomonitor.co.uk.
For further information about the festival, please visit medwayphoto.co.uk.
Anthony Heywood’s sculpture, The Dove of Peace, was unveiled at an event at Cruise Terminal 1, Dover on 22 December. The Viscount De L’Isle MBE, Her Majesty’s Lord-Lieutenant of Kent, and Viscountess De L’Isle attended as guests of honour.
The installation of the sculpture, a full size spitfire made from a special type of paper developed at the former Buckland Paper Mill in Dover, is part of the Port of Dover’s commitment to commemorating both World War I and II. The Cruise Terminal 1 building, which played a significant role as a staging post during both world wars for troops leaving to fight and returning home, is the location for the sculpture as well as future commemorative events through to 2018.
Anthony Heywood and Uwe Derksen worked on this idea for the last couple of years and, with the support of Dover Arts Development and part-funded bythe UCA’s research budget and the EU Interreg Channel programme, got the backing of Dover Harbour Board.
Reflecting on the occasion, Tim Waggott, Chief Executive, Port of Dover, said:
This wonderful event is a seminal moment for the Port, its commitment to its community and for the future use of such an historic building. This is the culmination of much work with a great many partners and is the launch pad for a new era for this place. Seeing so many members of our community come and be part of our shared story is simply wonderful.
UCA’s Anthony Heywood said that the Dove of Peace “symbolises heroism, individualism and belief; it symbolises self-preservation, fear and the shattering of young lives.” It can also be seen as a symbol of future conflicts yet to pass and of precious and fragile peace. Reflecting both war and peace, the event played homage to the 1914 Christmas truce that took place in the trenches, and included
readings and carols.
CREA-Zone cluster event
The Research + Enterprise Department is involved in the CREA- Zone cluster project which brings together partners from Belgium, France and the Netherlands all of whom are delivering Interreg funded projects.
The current economic crisis has driven regions and cities to find new ways to inject the economy with creativity and innovation. Through collaboration with creative and cultural industries, traditional industries can find ways to enhance their resilience in the face of increased economic, social and environmental challenges.
The Interreg projects have researched and experimented with concepts aimed at increasing the visibility of the economic value of the creative and cultural industries and this is the focus of The Colourful District event, taking place on the 5th and 6th of November. A digital publication summarising the findings and projects will be available at the end of November.
Interreg projects will be presented at the event, held in the Budafabriek, in Kortrijk, Belgium, where synergies between different projects will be pulled into focus and success stories will be shared with a broad audience.
The event programme is packed:
Wednesday 5 November – Budascoop/Budafabriek Kortrijk
6 p.m. WELCOME AT BUDASCOOP, Kapucijnenstraat 10, Kortrijk (Belgium)
6:30 p.m. WORD OF WELCOME: Franky Devos, director arts centre BUDA / Budafabriek
6:35 p.m. CREA-Zone – international cluster for the promotion of the creative industry: Ellen Bisschops, project manager SPK Turnhout
6:45 p.m. DAAN ROOSEGAARDE
In a world shifting between the analogue and the digital, Studio Roosegaarde is the social design lab of artist Daan Roosegaarde and his team of designers and engineers. The studio creates interactive designs that explore the dynamic relation between people, technology and space. The studio develops its own innovations and is internationally known for interactive projects such as Dune, Intimacy and Smart Highway.
Interview: Hilde Bouchez
7:30 p.m. Short walk to the Budafabriek, Dam 2A, Kortrijk
From 7:30 p.m. INSPIRING EXAMPLES FOR A COLOURED DISTRICT
The collaboration between designers, entrepreneurs, students, artists and active citizens leads to concrete results. At the imposing Budafabriek, good practice is presented by the University of the Creative Arts Canterbury, SPK Turnhout, Avans Hogeschool Breda, TIO3 Ronse, Pictanovo Tourcoing, Entrepreneurial Centers Mechelen and West Flanders, Flanders DC and Buda Kortrijk.
EXHIBIT – THE GREEN LIGHT DISTRICT
A green economy is an important issue for entrepreneurs, designers, scientists and artists alike. CREA-Zone selected international projects that transcend the sense of defeatism that tends to surround ecology and environmentalism:
The Green Light District presents work by Alberto Baraya (CO), Nick Ervinck (BE), Lucas Foglia (US), Brandon Ballengée (US), Annemie Maes (BE), David Bowen (US), Luc Deleu (BE), Maya Smrekar (SI), Peter De Cupere (BE), Bart Stolle (BE), Future Farmers (US), Nano Supermarket (NL), Honoré d’O (BE), Ralph Kim (UK), Mattia Casalegno (IT), Martin uit den Bogaard (NL), Koen Vanmechelen (BE), Eduardo Kac (US), Heath Bunting (UK).
In addition there is scientific research by Howest, Kulak, Vives & Provinciale Tuinbouwschool and entrepreneurial projects by Vasch Aquaponics, Deceuninck, Vanheede, Alpro, Drukta, Ocular, Devolder Architecten.
Curator: Christophe Dejaeger
Thursday 6 November – Budafabriek Kortrijk
9 a.m. BREAKFAST MEETING – Croissants, coffee, creative entrepreneurs, politicians, policy advisors, students …all welcome!
10 a.m. CREA-Zone – international cluster for the promotion of the creative industry: Ellen Bisschops, project manager SPK Turnhout
10:30 a.m. STIMULATING ENVIRONMENTAL FACTORS FOR THE CREATIVE INDUSTRY
Prof Annick Schramme is professor and academic coordinator of the master’s program Cultural Management at the University of Antwerp. In addition, she leads the Competence Center Creative Industries of the Flanders District of Creativity at the Antwerp Management School.
11 a.m. 3 INSPIRING EXAMPLES FOR A COLOURFUL DISTRICT
- Made or Cartamundi / SPK Turnhout
- Incunables / Pictanovo Tourcoing
- Results of the temporary stay of the students from Thomas More Mechelen @ Buda
11:30 a.m. THE INNOVATIVE CONTRIBUTION OF EUROPE’S CREATIVE INDUSTRY TO THE WIDER ECONOMY: TOWARDS A NEW POLICY AGENDA
Johanna Van Antwerpen is the founder of the Amsterdam Innovation Motor (AIM). AIM is the innovation agency of the Amsterdam Metropolitan Area which merged, with other organisations, into the Amsterdam Economic Board in 2013. AIM has been set up to help preserve and strengthen Amsterdam’s key position in the knowledge-based economy. The Amsterdam Economic Board promotes innovation, cooperation and new activities in relevant economic sectors such as; creative Industries, ICT, Life Sciences, Sustainability, Financial and Business services.
noon 3 INSPIRING EXAMPLES FOR A COLOURFUL DISTRICT
- GaIl Baxter or Neil / University of Creative Arts Canterbury
- The Smell Project / Avans Hogeschool Breda
- Buda::Lab / Buda Kortrijk
12:30 p.m. CONCLUSIONS FROM THE CREA-Zone CLUSTER
Ellen Bisschops, project manager SPK Turnhout
For more information contact Susiane at firstname.lastname@example.org