Students’ hard work showcased in performances of Noye’s Fludde

DSC_0108Students from across UCA saw their hard work showcased in ACT’s collaborative performance of Noye’s Fludde by Benjamin Britten, in Picardy, France last month. This one-act opera, composed in 1957, has become a major collaborative piece, fuDSC_0401nded by ACT,  that has seen the involvement of students from UCA as well as Melbourne Village College, the Royal Opera House Learning and Participation and  Southend YMCA.

Many staff and students at UCA from a range of courses have taken part:

  • Computer Arts & Animation with Phil Gomm & graduates who were involved in the concept, research & designs for pop-up features such as kite, ark, moon, stars & sun.
  • Creative Arts for Theatre and Film with Chris Hunt, Colin Bean, Graduate Teaching Assistants and 4 dedicated students who were involved in the concept, design and fabrication of main character costumes.
  • Graphic Design: Visual Communication with Hugh Harwood & students who produced graphic images for marketing material in a competition & were involved in documenting the performances.
  • Broadcast Media: students are  involved in documenting the performances.
Scene from Noye's Fludde

Scene from Noye’s Fludde

Joy Golsbrough a student on Creative Arts for Theatre and Film student and costume designer for NF, said,

I thought the performance was beautiful, it was lovely seeing everything work together; the colourful rainbow set, seeing the children’s animal headdresses and LED lights, hearing the orchestra play and the actors sing.The Gossips looked fabulous and the costumes worked well with their characters. Although it wasn’t in the design, I liked the way they had incorporated belts around their waists and attached their shawls to their shoulders.   The patterns on their gowns worked really well and you could distinguish them from a distance. They were bright and colourful. They were better than I imagined them to be.The highlight of the trip for me was speaking to the actor who played Jaffeth, he was so happy with the costume that I had designed for him, and so were his parents. Being a part of a collaboration and working on a live brief was exciting. It meant the work you put in would actually pay off and be recognised by the public. Obviously it is great to add the work to a portfolio and CV. Working with ACT was valuable as it gave more experience outside of UCA and meant you could meet new people in the industry and have an idea of other people’s jobs. Going to France to see the performance and having a posh dinner out was a bonus as well.

 

Liam Hollingham, Graphic Design: Visual Communication student and poster designer for NF, said

Scene from Noye's Fludde

Scene from Noye’s Fludde

Through doing ACT project for the last year and a half and watching performances like the one that we did I must say that this performance was the most intimate out of the three; it gave a great feeling that you were made part of it. The highlight was the use of interaction and the combination of theatre and orchestra that moulded so well together .

It brought the theatre company together and really brought the characters alive.  I was amazed by everything that came out on stage as it was the first time that I had ever seen the costumes or anything that represented something in such a minimalistic approach.

I think anything more than a live brief like the ones I have worked on the past it make all what you are doing at uni become real in a sense; it builds contacts and understanding the world of work, as well. I learnt that working at uni is a place to learn skills that you can then use in these situations; these projects bring you in to the reality of the world of design work .

Chris Hunt, Course Leader for Creative Arts Theatre and Film, said

This was a great experience for students.  Working as designers on a professional, large-scale  production like this is something which students rarely get the chance to do, and the four costume designers involved – Keri Johnston, Joy Goldsborough, Fenella Barr and Steph Bolduc – really got their teeth into it.  They designed costumes which in essence are modern and colourful but which also resonate with past cultures and Biblical themes.   It was a real challenge for them to work on individual designs and then meet to adjust their designs so that the ensemble worked as a whole, and they managed this process of individual development and co-operation admirably well.

 

The show will be performed again in England on Thursday 5 and Friday 6 March at Cambridge at Melbourne Village College.

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Creative Challenge Residential Nov 2014 gallery

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Lens student exchange – results!

Design development of the school building in Lens

Lens Student Exchange

Students on the Interior Architecture and Design course have completed their work on plans to transform old school buildings in Lens, France, into an enterprise centre. During a seven-month exchange scheme, part of the Recreate project, the students worked with furniture design students from the University d’Artois to present their proposals for the space.

Course Leader Peter Waters said:

A cross border project like this not only enables our students to experience a live brief, but it also encourages them to step away from their, perhaps, overly familiar surroundings to experience a similar but sufficiently different culture. They also have the opportunity to gain an understanding of the role that an interior designer can play in the regeneration process.

 

For more information please contact Amie at arai2@ucreative.ac.uk

A contemporary reading room

Inspired by Margate’s Georgian reading rooms and as part of an overall debate on the role of interior architecture on urban renewal, students on the Interior Architecture and Design (BA) Hons course worked with lecturers to design a modular reading room for the modern day.

Traditionally, reading rooms were a cross between a library, a museum of curiosities, and a place for games and gossip so students built into the reading room their own modules, places for reading, writing, playing games and chatting.

Initially installed at the old Pettman’s Depository, Resort Studios, Margate in November 2013 to host a week-long series of events and talks. During the summer of 2014, the Reading Room continued its legacy travelling to the Folkestone Triennial where it was housed at the Visitor Centre acting as a place for public forums as well as an information point for festival visitors. For more images go here.

Crysalis’ achievements

A strong fabric built over three years’ intense collaboration

The three-year Crysalis project is almost complete, and we are celebrating its many successes and its legacy. Industrial partners and entrepreneurs, students, designers, researchers and artists have been working across borders and have set up a new, strong network all about textiles.

We’ve created lots of opportunities; for knowledge transfer, which allowed textile professionals, as well as enthusiastic amateurs, to be inspired with new ideas and the necessary courage to leave the beaten paths. For creativity as a priority, too: experimental and creative session resulted time and time again in beautiful, smart or innovative textile products, which will perhaps appear commercially in the near future.

There were several exhibitions where the public was given a glimpse of a new future for textiles. In the UK, France and Belgium, we exceeded our visitor number expectations, attracting 63,183 visitors, illustrated in our interaction per activities reach map image (below left)

Interaction per activity

Interaction per activity

Besides the added value of Crysalis activities for the individual participants, there were opportunities created to continue the new collaborations and projects. Meetings between enthusiastic and expert people produced synergies that will, we believe, have promising results.

The collaborative weave we have been working on together is strong, but it isn’t finished yet. We want to explore the possibility of continuing to strengthen local textile techniques, for instance, by teaching skills and stimulating knowledge-sharing between European partners. Find out more about the interactions fostered by Crysalis in these three years of work in our interaction per region reach map at the foot of this page.

Of course, textile innovation is necessary to move forward, so we want to continue offering creative people like artists and designers opportunities to develop new applications. One way we are thinking of doing this is through making working areas more accessible via our edge services. More information at www.ucaedge.com

 

More information: Susiane at ssampaio@ucreative.ac.uk

 

 

 

 

 

Crysalis activity by region

Crysalis activity by region

UCA and ESADHaR create together

A Sense of Place Dover team

Another successful collaboration – between UCA and ESADHaR in Le Havre – was celebrated with A Sense of Place, an exhibition of artwork by students of both universities.

A Sense of Place was the showpiece of months of research by the students, who, over the last year, examined the social, cultural, historical and architectural aspects of these two World Heritage sites and created their graphic responses, ranging from book art and posters to wallpaper designs. A Sense of Place has been exhibited as part of art and place festivals across the south east and France, including the Folkestone Fringe 2014 and East Kent Cultural Conversations June 2014 with Dover Arts.

Hugh Harwood, Course Leader – Communication Media Cluster, School of Communication Design, says

 Over the past two years, UCA Canterbury has developed a partnership with ESADaR art school in Le Havre. Students and Staff from both institutions have created graphic responses to each of these contrasting environments;  both UNESCO world heritage sites but so different – the high modernism of Le Havre and the medieval foundations of Canterbury.

We are also developing a partnership with ESADaR art school in Le Havre. Through this partnership we are developing close links with staff and students, as well collaborative projects, culminating in a range of publications and exhibitions. The first of these was exhibited alongside a symposium on the theme ‘sense of place’ at UCA Canterbury and Dover Arts Development gallery in Dover in June and this was then developed into an exhibition that showed at the Brewery Tap in Folkestone as part of the Triennial fringe and then moved to UCA Canterbury gallery in Sept/Oct 2014. Further material and publications will be developed across the next year to be part of the Saison Graphique festival in Le Havre 2015.